Highlights Merleau-Ponty’s interest in film and connects it to his aesthetic theory. In The Flesh of Images, Mauro Carbone begins with the point that Merleau-Ponty’s often misunderstood notion of “flesh” was another way to signify what he also called “Visibility.” Considering vision as creative voyance, in the visionary sense of creating as a particular presence something which...(展开全部)

Having initially not had the attention of Sartre or Heidegger, Merleau-Ponty's work is arguably now more widely influential than either of his two contemporaries. "Merleau-Ponty: Key Concepts" presents an accessible guide to the core ideas which structure Merleau-Ponty's thinking as well as to his influences and the value of his ideas to a wide range of disciplines. The first s...(展开全部)

Marie-Eve Morin is Professor of Philosophy at the University of Alberta in Edmonton, Canada. She is the author of many articles on Derrida, Heidegger, Nancy, Sartre, Latour, and Sloterdijk. She is also the author of Jean-Luc Nancy (Polity, 2012) and is the co-editor, with Peter Gratton, of The Nancy Dictionary (Edinburgh University Press, 2015) and Jean-Luc Nancy and Plural Thi...(展开全部)

Some of the best interpretations and evaluations of Merleau-Ponty's innovative notions of chiasm and flesh are presented here by prominent scholars from the United States and Europe. Divided into three sections, the book first establishes the notion of the flesh as a consistent concept and unfolds the nuances of flesh that make it a compelling idea. The second section adds to t...(展开全部)

Some of the best interpretations and evaluations of Merleau-Ponty's innovative notions of chiasm and flesh are presented here by prominent scholars from the United States and Europe. Divided into three sections, the book first establishes the notion of the flesh as a consistent concept and unfolds the nuances of flesh that make it a compelling idea. The second section adds to t...(展开全部)

Maurice Merleau-Ponty is increasingly hailed as one of the key philosophers of the Twentieth century. "Phenomenology of Perception" is his most famous and influential work and an essential text for anyone seeking to understand phenomenology. In this guidebook Komarine Romdenh-Romluc introduces and assesses Merleau-Ponty's life and the background to his philosophy, the key theme...(展开全部)

In 1739 China's emperor authorized the publication of a medical text that included images of children with smallpox to aid in the diagnosis and treatment of the disease. Those images made their way to Europe, where they were interpreted as indicative of the ill health and medical backwardness of the Chinese. In the mid-nineteenth century, the celebrated Cantonese painter Lam Qu...(展开全部)

莫罗•卡波内（Mauro Carbone。1956- ），法国里昂第三大学（让-穆兰大学）哲学教授，美学教授，法兰西大学研究院（IUF）院士。曾在多所学术机构担任访问教授，如：英国华威大学（2004）、意大利科学院（2005）、美国哥伦比亚大学（2005）、北京大学哲学系（2009）等。 作为当代著名的梅洛-庞蒂研究学者，莫罗•卡波内教授对梅洛-庞蒂的讨论始终不曾远离对文学、艺术的思考（这也是梅洛-庞蒂本人在哲学思考中始终贯彻的原则），并且与他本人对当今社会文化现象的反思紧密结合，这不但为我们从哲学、美学角度阅读、理解梅洛-庞蒂提供了鲜活丰富的阐释和指引，也极大地扩展了我们审视当代文化、艺术及社会现象的批评视角。 译者简介： 曲晓蕊，法国里昂第三大学哲学院博士研究生，专攻当代美学方向。

Words and Images contains twenty-three essays based on papers presented at an international symposium held at the Metropolitan Museum of Art in May 1985 to celebrate the gifts and promised gifts of Chinese calligraphy and painting from John M. Crawford, Jr. In these essays senior scholars from Asia and America express a wide range of perspectives on an issue that is central to ...(展开全部)